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Serigne Ibrahima Dieye Les plumes de la fortune #3, 2020 Mixed media on paper mounted on canvas, courtesy Galerie Cecile Fakhoury © Issam Zeljy

CURRENT ISSUE

T135: SPECIES


T135 SPECIES builds on T133 CLIMATE by tracking the intimate relationship of the Diaspora to all forms of life. Among the relationships considered in this issue are those imposed on Africans as a result of the atrocities of Middle Passage (and racialized chattel slavery) as well as practices and relationships that grow from–and resist–those atrocities.  In her essay, “Off-the Grid,” Bénédicte Boisseron offers a moving portrait of her brother who traveled back to his father’s native Guadeloupe to live off the land only to be betrayed by the French (post)colonial regimes that poisoned it. Heather Davis’s “On Coral” features perhaps the most poignant, hopeful emblem of intimacy between humans and other species in the issue—an intimacy enacted through hope and care as divers fragment and regenerate coral in order to replant it by hand on withering reefs. Brigitte Fielder’s “Essai en Vol: The Zenaida Dove” is a lyrical attempt to imagine the Haitian-born enslaver, John James Audubon’s, Black sisters, whose lives would otherwise go unremembered, lost to the many voids in the archive. 

In addition to these many essays, and an interview with artist Kapwani Kiwanga, remarkable fiction and poetry also address the issue’s themes. Ron Robertson’s rollicking debut story, “Ravenous,” describes the arc of a friendship forged through the love of dogs and the complex bloodsport of dogfighting. Solomon Samson (“A Gift from the Vatican”) presents a story with a strange mix of Christian and traditional African beliefs and parables.  A young boy drags an enormous fish to the altar of his church and receives a blessing from a Catholic priest. Later that boy becomes a sacrifice himself. This work is ranged alongside the deeply imagined poems of Afro-Colombian poet, Luisa Merino. Written in Spanish and English these works at once mourn and celebrate pre-colonial and pre-capitalist Colombian life. Listen to Luisa and translator, Kim Jensen, read from “God Was Better When He Was a Tiger.”

Description Continued

Read Joshua Bennett on Lucille’s Clifton’s “Cutting Greens” and Jonathan Howard’s meditation on the treatment of Black bodies in the media and the importance and legacy of Mamie Till’s insistence on the recognition of her son’s humanity.

With more writing and art by fahima ife, Keith Jones, Che Gossett, Catherine-Esther Cowie, Reyumeh Ejue, Ibrahim Babatunde Ibrahim, Enzo Silon Surin, Novisi Dzitrie, Oluwatoke Adejoye, Tanya Saunders, Johanna Mirabel, Amadou Sanogo, Ronald Hall, Vincent Michéa, Kelani Abass, John Akomfrah, Ibrahim Serigne Dieye, Kelechi Nwaneri, Mário Macilau, and Nigatu Tsehay

Coral Reef, Pianemo Island in Raja Ampat, Indonesia, Wikimedia Commons

Essay

On Touching Coral

Heather Davis

Marine biology under these conditions is a practice that establishes itself as a “disruption to the normative order,” by lovingly rebuilding coral when they are supposed to cease to exist. In a world currently organized by reducing all living beings to their exchange value…rebuilding corals by hand becomes an act of resistance. It is a refusal to abandon the world, a refusal of the kinds of logics that were put in place by colonialism.

Serigne Ibrahima Dieye, Les plumes de la fortune #1, 2020. Courtesy Galerie Cecile Fakhoury © Issam Zeljy 

Essay

Zenaida Doves and Audubon’s Black Sisters, Un Essai en Vol

Brigitte Fielder

Audubon’s relation to whiteness, blackness, family, humans, and birds is complicated by the fact of his mixed-race half-siblings…Did these sisters ever come across Audubon’s reflections on the Zenaida dove, either in his original monograph or as it circulated elsewhere, like in the Colored American? Would they recall or imagine themselves just beyond the scene Audubon recounts with his father?

Bénédicte Boisseron, Mulatresse Solitude, 2022, Paris

Essay

Off-the-Grid

Bénédicte Boisseron

My brother’s dream was to live off-the-grid, the French grid that is. Off-the-grid, in the most basic terms, means off the electrical grid but there are so many kinds of grids. Living off-the-grid requires finding one’s own power away from power stations, living somewhere outside the system. Junior’s off-the-grid was modeled after the maroon, what the French Creole calls nèg maron

Artist Spotlight

Mário Macilau

Accompanying Solomon Samson’s short story, “A Gift from the Vatican” are the sharp, telling photographs of Mário Macilau, (b. 1984, Mozambique, lives and works in Maputo). Macilau is a multi-disciplinary artist, who focuses on long-term photography projects and series that address the complex realities of human labor and environmental conditions. Macilau began his journey as a photographer on the streets of Maputo, using his mother’s cell phone.


Mário Macilau, Two boys with a fish, Faith Series, 2018, Edition of 6 + 2AP,  Archival pigment  print on cotton rag paper, courtesy of Ed Cross

A Look Inside

Fiction

Ron Robertson
Ravenous

Ibrahim Babátúndé Ibrahim
Water Woes

Reyumeh Ejue
A Third World

Solomon Samson
If a Fish Swallows His Hook

Catherine Esther-Cowie
No Hills Here

Essay

Heather Davis
On Touching Coral

Bénédicte Boisseron
Off-the-Grid

Joshua Bennett
The Bond of Live Things Everywhere

Brigitte Fielder
Zenaida Doves and Audubon’s Black Sisters, Un Essai en Vol

Jonathan Howard
Weighed in the Water, Children: On “Vicissitudes” and the Photograph of Emmett Till

Oluwatoke Adejoye
Last Stop: On Severance, Belonging and Reclamation

Tanya Saunders
Rise of the Sapatão: Race, Gender, and Decolonialization

 

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