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Current Issue

SPECIES

An issue on the Diaspora’s intimate relationship with all of life.

Transition on the Wire in Heart. version of Cover of T31

Podcast

Transition on the Wire

Transition on the Wire is the monthly podcast of Transition Magazine, hosted by author Sarah Ladipo Manyika. In our latest podcast, Sarah sits down with Mónica Macías—daughter of Equatorial Guinea’s first president—to discuss her memoir, BLACK GIRL FROM PYONGYANG: In Search of My Identity. In recent episodes, Sarah interviews best-selling, Booker-Prize- winning author Bernardine Evaristo, rapper, singer-songwriter will.i.am, and actor Delroy Lindo. And poet and creative scholar DaMaris Hill and curator and cultural historian James McNally discuss Black collage in Hiphop and all genres.

Listen on Spotify or Apple Podcasts, or directly from Soundcloud. Join us each month for a new interview with authors and artists of the Diaspora.

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Artist Spotlight

Kapwani Kiwanga

Kapwani Kiwanga is currently representing Canada at the 2024 Venice Biennale, where in that country’s pavilion you can view her site-specific installation “Trinket” : this artwork examines the smallest and most coveted item of commerce in Venetian history, the conteria or seed bead.

Kiwanga’s work has explored enslaved women’s use of plants as a way to abort children who would have been born into bondage and also to poison their enslavers. In her interview with Makeda Best in T135 SPECIES, she discusses her work Residue, which addresses the way in which the chlordecone crisis continues to poison the land and people of Guadeloupe and Martinique, past and current projects, her process, and what animates her practice.

Her work, On Growth, is installed at the High Line, New York, USA until October, 2024. Onde o sal e a água doce se encontram e as árvores sinuosas filtram o sol, a solo show, can be seen in Porto, Portogal, at Serralves Museum, until December 5, 2024.


Exhibition view, « Kapwani Kiwanga: Trinket », Canada Pavilion, 60th International Art Exhibition – La Biennale di Venezia”, Venice (IT), 2024, Commissioned by the National Gallery of Canada and supported by the Canada Council for the Arts
Photo: Valentina Mori

From the Current Issue

Listen to Luisa Villa Meriño and Kim Jensen read an excerpt from Luisa’s poem “Dios Fue Mejor Cuando Era Tigre” (with music by Etelvina Maldonado)
Cover of Best Debut Short Stories 2024

Featured Awards

Winelle Felix and Zkara Gaillard Win PEN/Dau Awards for Debut Short Stories

The PEN/Robert J. Dau Short Story Prize for Emerging Writers recognizes twelve emerging writers annually for their debut short story published in a literary magazine, journal, or cultural website, and aims to support the launch of their careers as fiction writers. Winelle has won for her story “Return to Sender: Big Time Tief” and Zkara for her story “A Good Word.” Read both stories in T134!

The winning writers each receive a $2,000 cash prize and will be published by Catapult in their annual anthology, Best Debut Short Stories: The PEN America Dau Prize.

Because of the cancellation of the ceremonies this year, they were not able to have their work honored. We’d like to take this opportunity, however, to celebrate the grand quality of their writing and to wish them much continued success moving forward. 

From the Archive

Upon Returning to Jamaica in Search of the Undead

When Thomas Glave visited Manchester, Jamaica, with his family, he could not find his great-great-grandmother’s grave. She, Catherine Wright, a Black woman, most likely, did not have one. But his great-great-grandfather’s stone, though cracked and unadorned, lays steadfast on the land to mark the death of the Englishman. Their child spreads his palms on the grave. What easier way to invoke the life of the forgotten by placing your hands on the one who has chosen, by circumstance or conviction, to forget you? 

That is only one question the writer Thomas Glave posits for himself, and by extension his ancestry, in his essay, “In Search of the Undead: (Un)marked Graves and The Sea of We,” published in Transition, Issue T128. In his commitment to uncovering the hard truths of racial economy, sexual politics, and their intersection, Glave provides a searching, uncompromising historical accountas Transition authors have done since the magazine’s founding. 

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Thomas Glave's hands on Stephen Sharp Glave's Headstone
Thomas Glave’s hands on Stephen Sharp Glave’s gravestone. Manchester, Jamaica
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The Longest-Running Pan-African Cultural Magazine

In immediate postcolonial Africa…the various decolonized or soon-to-be decolonized countries didn’t know too much about one another…

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Transition aims to speak to the lay intellectual through jargon-free, readable prose that provides both insight and pleasure.

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